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Most watched movies and TV series online in 2022? Alia Bhatt had an excellent performance as the protagonist in Meghna Gulzar’s movie, featuring Vicky Kaushal and Jaideep Ahlawat in supporting roles. In the 1970s, a timid Kashmiri student is persuaded by her dying father to marry into a family of Pakistani military personnel to communicate war-related intelligence to India. She uses her guile and charm to try to disrupt the neighboring country’s plans after some intensive spy training. Discover extra information on watch.
The 1953 adaptation of H.G. Wells’ classic The War of the Worlds was a monumental undertaking for the still-young sci-fi genre in Hollywood, notable for both its expansive budget and groundbreaking FX work, although the quality of its miniatures suffered in subsequent digital transfers, which made sights such as the strings holding up Martian war machines more visible. Regardless, this was an alien invasion story presented in a way that one hadn’t been before: With an “A” budget, recognizable actors and a palpable sense of gravitas, playing more like a war drama than a true horror film. It became the gold standard against which lower-budget entries such as Invaders From Mars would be judged, even though Invaders was rushed into theaters before War of the Worlds to claim the title of the first colorized “flying saucer” film. This is the one, though, that went on to live in the memories of a generation.
A few words on streaming services : Because regional restrictions and broadcast blackouts still apply for live TV streaming services (particularly for MLB, NBA, and NHL games), it's important that whatever service you choose has both the relevant national and regional sports channels you need to watch those games. Even if a game is airing on a national channel elsewhere in the country, you may not have access to said game on that same channel if it involves a local team. For instance, a Yankees game that airs on ESPN for subscribers in Miami might air on YES for residents of New York. We break down everything you need to know about streaming NFL, MLB, and NBA games in dedicated roundups. The right service for you depends on what sports you want to watch, where you live, and what teams you want to watch.
Driveways isn’t simply one of the late Brian Dennehy’s final performances—it’s also one of his finest. In Andre Ahn’s touching indie, Dennehy is Korean War vet Del, who comes to befriend socially awkward young Cody (Lucas Jaye) after the boy and his mother Kathy (Hong Chau) take up temporary residence next door, cleaning out the pigsty that used to belong to Kathy’s deceased sister. All three of these characters are suffering in their own distinct ways, due to a combination of loss, loneliness and fear, and Ahn (working from Hannah Bos and Paul Thureen’s precise script) intertwines their plights with few contrivances and a potent measure of empathy, especially once Del and Cody begin developing an unexpected bond. Be it Kathy going through her sister’s things and cleaning a bathtub soiled by a cat’s corpse, or Del caring for his VFW pal Roger (Jerry Adler), who’s slowly losing his mind, the specter of death—and the memories summoned up by the end of the road—looms large over the proceedings, culminating in a shattering Dennehy speech of irreparable sorrow.
This one didn’t open theatrically, so once upon a time it probably wouldn’t have qualified for this list. But screw it, we live in extraordinary times — and besides, this atmospheric murder thriller set in a small New England fishing village is the kind of artfully mounted, suspenseful little charmer they don’t really make anymore, so it feels extra special. Two cash-strapped sisters, struggling to hold onto their house in the wake of their mom’s death, find themselves in the middle of what appears to be an elaborate, twisted conspiracy involving the town brothel and a gaggle of old-timers with some dark secrets. The central mystery itself is interesting, but the main attractions here are the colorful cast of characters and the compelling sense of place established by writer-directors Bridget Savage Cole and Danielle Krudy.