Excellent handmade Indian sarees online supplier

Indian sarees online shopping right now: Red is the most favoured colour for wedding saris and is a traditional garment choice for brides in Indian culture. Women traditionally wore various types of regional handloom saris made of silk, cotton, ikat, block-print, embroidery and tie-dye textiles. Most sought after brocade silk saris are Banasari, Kanchipuram, Gadwal, Paithani, Mysore, Uppada, Bagalpuri, Balchuri, Maheshwari, Chanderi, Mekhela, Ghicha, Narayan pet and Eri etc. are traditionally worn for festive and formal occasions. See extra information on https://silkpetalss.com/product-category/sarees/.

Textiles, just like with everything else, will continue to evolve as time passes. However, a ‘revival’ needs to go beyond just a trend, and instead grow organically and sustain a momentum, says Garg, whose work on the Mashru fabric (a handwoven mix of cotton and silk) over the past decade has led to a revival of the textile. A handmade sari is a testament to the skill and creative genius of the mostly rural artisanal families that make them. Techniques and expertise have been passed down in these families from generation to generation over centuries. The more intricate silk saris take many weeks to make. A weaver of Kanjeevaram saris once who told me how he passes his blessings to the wearer of the saris he creates. He wishes the bride who wears it the strength of the elephants, the grace of a gazelle and a life of abundance represented by the trees, as he weaves each of these into his creations, says Kadam.

India remains one of the last great handicraft cultures. It’s a powerhouse for dyeing, printing, and silk weaving, all represented in at least one of the estimated 30 regional varieties of saris. In the Ganges riverfront city of Varanasi, weavers bend over old-school wooden looms to make Banarasi silk ones, usually in bright red, trimmed with metallic zari thread, and prized by brides. In tropical Kerala, predominantly white sett mundu saris reflect styles popular before 19th-century industrialization brought the colorful aniline dyes—and Crayola-box brights—spotted around the subcontinent today.

The stitched fabric was deemed unclean in ancient times. The one-piece saree was considered auspicious and was (and still is) worn for significant Hindu occasions such as religious ceremonies, marriages, festivals, childbirth rites, and so on. The saree draping style evolved from the concept that the navel and belly should be left uncovered since they were regarded as the life source (as they connect to the umbilical cord). This is documented in the Natya Shastra, a 200-year-old South Indian scripture. With the mention of Rani of Jhansi wearing a sari and fighting the atrocities of the colonizers, one can only wonder about the feeling of empowerment while wearing a sari that has been bestowed with such a heroic legacy.

Most of our products are handcrafted and the weavers have been chosen with care in order to ensure the best quality of handwork is brought to our customers. In fact , some of our empaneled weavers have won awards at the highest national level and have been associated with this work for generations. Our products and weaves are authentic, artisanal and sourced sustainably , curated by Karigars from different parts of India like West Bengal, Varanasi, Rajasthan, Gujarat etc. Read even more information at https://silkpetalss.com/.

My fondest childhood memories were going sari shopping with my mother and grandmother. I was fascinated by the endless shelves piled with neatly folded, colourful saris, entertained by the salespeople, who were always men, unfolding and draping the whole sari on themselves, and educated by the haggling over the prices while countless cups of coffee were consumed. When Matthan received a gift of 47 Kanjeevaram silks from her ailing grandmother, she was inspired to start the 100sareepact, a social media movement, along with 52-year-old Anju Maudgal Kadam, which encourages women to wear saris and share their stories online.